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In another, you're digging up clues to connect in a classic “parlor scene” climax, and the next you're engaging in an escape-the-room adventure with a timer ticking down while you crack codes and think outside the box to escape in time.
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You're punching your way through an alley full of killer robots one moment, and the next you're poring over every detail of a crime scene. The gameplay is almost bursting with new and old ideas, so no two hours of the play will feel exactly the same. The effect is perfectly serviceable for telling the story yet highlights how much the game would have benefited from some full-motion video animation. All cutscenes happen through extended dialogue in the game, with some static image panels interspersed to show action moments. While each character seems like it just stepped off a Disney animation cell, seeing the characters move brings the art down to a slightly more amateurish level. The backgrounds evoke some of the best cartoony adventure games of the past decade. The animation is pretty thin, which undercuts how beautiful the art looks. At the end of the game, you feel as if you know each of the friends and foes you make throughout. The characters, all different animals or robots, are stuffed full of personality and brought to life with top-tier voice acting. The nostalgic DNA of the Teenage Mutant Ninja Turtles, A Goofy Movie, and TaleSpin is all over BROK the InvestiGator.
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Helped undoubtedly by its art style, the game feels like playing the movie version of a 1990s Saturday morning cartoon. While playing the game before release, I could already see the extensive Wikia erupting from the internet after launch. The relationships feel natural while playing, and the world is deeply realized, with many interwoven layers of history, conspiracy, and connection to unravel. However, it'd be folly to write this entire story off as well-trodden ground. And similarly, BROK relies on cliches like memory loss, dystopian futures, a cyberpunk setting, and a tortured father/son relationship – all of which have had massive popularity spikes in the video game world in recent years. One couldn't be blamed for feeling that the hard-boiled anthropomorphic animal detective trope may have been done to death recently. The two are engaged in a struggle to survive a dystopian post-apocalyptic world where the lower class and the upper class are divided by a hermetic dome, which leaves the “Slumers” on the outside to deal with a toxic atmosphere while the “Drumers” on the inside live in technology-enhanced luxury. The game's primary focus is the relationship between the two as their goals begin to collide, and they become closer – or farther apart, depending on how you play. You also play as his adopted son Graff, a cat who's just trying to make his way through challenging academy trials while brushing multiple chips off his adolescent shoulder. The character you play for most of the game is Brok, the tough-but-sensitive alligator (or is he a crocodile?) detective, as he struggles to make ends meet while slowly unraveling the secrets of his dystopian world. And, folks, I'm here to say: They pulled it off.
Still high off their first hit: Demetrios – The BIG Cynical Adventure, and reaching their Kickstarter campaign funding goal in less than a day in January of 2021, French developer COWCAT must have been full of confidence to conduct such a bold experiment. BROK the InvestiGator says, “forget that noise!” and bursts full-on into what the advertising materials describe as “the first ever Punch & Click,” combining the classic beat-em-up (à la Double Dragon or The Simpsons Arcade Game) with a classic graphic adventure. The debate has raged, making it a sort of “third rail” that many point-and-clicks try to avoid. Combat in adventure games has been an extremely controversial subject since the very beginning of the genre.
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